Moving Realities | Lynn Bianchi, December 19th,2017

Moving Realities | Lynn Bianchi, December 19th,2017

Gallery Open & Hours: Tuesday, December 19th, 6-8pm

By appointment:  212-966-1997

Lynn Bianchi is a New York City-based fine art photographer and multimedia artist who has shown work in over thirty solo exhibitions and in museums worldwide, including the Tokyo Metropolitan Museum of Photography, Japan; the Musée de l’Elysée in Lausanne, Switzerland; CICA Museum, South Korea; Musée Ken Damy, Brescia, Italy; 21c Museum, Louisville, Kentucky and the Art Gallery of Ontario in Toronto, Canada.

Her photographic art has been featured in over forty publications, including The Huffington Postand the Encyclopedia of Food and Culturein the U.S.,Vogue Italia and Zoomin Italy,Phot’Art International in France, and GEO in Germany. Bianchi’s work resides in numerous private collections across the globe, including Manfred Heiting’s and Edward Norton’s, as well as in museum collections including The Museum of Fine Arts in Houston, Texas; the Brooklyn Museum, New York and the Biblioteque Nationale de France, Paris. She has recently exhibited in New York City at the Untitled Space, Armory Show at Salomon Arts Gallery, in a two-person show at One Art Space, in a two-person exhibition at Shchukin Gallery and was among the winners of the 2016 Moscow International Foto Awards, and won first prize in Verdict Experimento Bio 2016, Bilbao, Spain.

Lynn Bianchi’s work is suspended between Henri Cartier-Bresson’s idea that to photograph is to hold one’s breath with all faculties converged in an effort to capture fleeting reality, and the belief that flowing processes that transcend reality cannot be entirely captured by static images. Through her multimedia approach, she captures the natural world illustrating our motivations and emotions, looking for the precise moment when mastering a static or moving image becomes a great physical and intellectual joy. The perpetual movements of an ocean, or the endless variations of a skyscape, reflect in Bianchi’s work our shifting internal gestures and motions – in a constant movement from still to moving images where the eternal is reconciled with the quotidian.